Largometraje · dir. Valentina Reyes · 2025
Cordillera
A desert western graded toward bone and rust. One LUT held for ninety-six minutes; printer lights did the rest.
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SALAR
El color, bajo el cielo más limpio del mundo.
Color grading and finishing for feature film, commercials, and music videos. Named for the Atacama salt flats — the driest air on Earth, where the world keeps its telescopes. We work in that light.
01 / Trabajo
Selected grades
Every frame arrived flat. None left that way.
Video musical · dir. Pablo Andrade · 2025
Neón Austral
Sodium night, cyan interiors, one unbroken take. The grade holds the blue channel like a breath.
Comercial · Aguasur · 2024
Mareas
Cold Pacific greens held just short of grey. Thirty seconds, four hundred decisions.
Documental · dir. Carmen Soto · 2024
La Ruta de la Sal
Ninety minutes of white on white. The hardest grade is the one nobody notices.
Video musical · dir. Anaïs Fuentes · 2024
Fiebre
Skin tones pushed to the edge of red and kept there for three minutes.
02 / Oficio
The craft
Grading is subtraction. The image already contains its best version — our work is to remove everything that isn’t it.
- /01 Feature grading Look development through final grade. One colorist, start to credits. See it done on Cordillera.
- /02 Commercial finishing Grade, beauty, and delivery for broadcast and social — every aspect, every codec.
- /03 HDR & Dolby Vision Trim passes that respect the SDR master instead of imitating it.
- /04 On-set DIT & look development Show LUTs built before the first slate, so the set sees what the film will be.
- /05 Remote sessions Calibrated review from anywhere, live from our suite in Santiago.
Three channels. One image. That is the whole job.
03 / Estudio
One room, one colorist
One suite in Barrio Italia, Santiago. A calibrated projector, black walls, a silent room, and time. We take fewer projects than we are offered, and we finish every one of them ourselves.
SALAR is led by senior colorist Emilia Contreras — twelve years of features and commercials across Santiago, Buenos Aires, and Mexico City. She grades every frame that carries the studio’s name.
- SuiteDaVinci Resolve · 4K DCI
- ReferenceCalibrated XYZ projection
- DeliveryDCP · Dolby Vision · Broadcast
- SessionsIn suite · Remote (Streambox)
04 / Contacto